Friday, July 20, 2018

Perspective correction

Shooting from a boat is never easy, tripods are ruled out pretty much and faster shutter speeds are needed to prevent blurred images. Inevitably you end up with tilted horizons, add that to perspective issues and you have a recipe for bad images.

5D Mk IV, EF 24-70 f/2.8 L II, f/10, 41mm, 1/250 sec
before correction
LR-9597 copy
Same image as above after correction

When shooting tall vertical objects, converging vertical lines can be a problem, as you can see in the top image, the vertical lines converge towards the upper center of the image. I used Lightroom's Transform module to correct this image. When using the Transform module you have to be careful not to over correct, if you do a lot of correction, resolution will be lost. I tend to not use auto correct. For this I used vertical and a small amount of horizontal. I lost some resolution and sharpness, however, the sharpness was brought back with Photo shop, using a mask on just the man made objects and applying a smart sharpen filter.

Its a pretty amazing tool and I will use it for all converging vertical and horizontal lines. This is also an argument for higher resolution sensors, with more resolution, you are able to do more correction, assuming you left enough space around the image that may be removed by correction.

Ross 

Tuesday, June 12, 2018

New 70-200 f/4 and f/2.8 lenses

Canon releases two new lenses that are sure to delight anyone in the system. I will be getting the f/4 version myself, I use it a lot for landscape and event work. The f/2.8 will be a super nice lens, but weight is a factor for me, if you are doing studio and or portrait work though, the f/2.8 will be a killer solution.

Canon EF 70-200 f/4 IS II

Canon EF 70-200 f/2.8 IS III 

With better optics, lens coatings and image stabilization, you can't go wrong getting either of these lenses, its just choosing which best suits your needs.


DPReview 70-200 f/2.8 here
DPReview 70-200 f/4 here

Ross 



Thursday, February 15, 2018

Fuji X-H1 announced

 Bigger grip, more robust build
 Better ergonomics


IBIS sensor stabilization

Fuji's newest flagship camera the X-H1, IBIS, a better build and what appears to be better ergonomics makes for a nice addition to the lineup. More video-centric than any other Fuji camera before it, it is targeted at the videographer, but will make an excellent stills camera. The top LCD is welcomed, trickle down from the GFX. 

Not a new battery is very disappointing!

Larger improved grip, with larger and hopefully stiffer buttons and dials along with the top LCD, should make for more intuitive use.

Not much of an upgrade from the X-T2, but the Flagship going forward, I am quite surprised the sensor is not new. I guess we will see that in the X-T3.


Specs:
  • 24.3MP X-Trans CMOS III Sensor with primary color filter and X-Processor Pro Processor
  • 5-axis 5.5 stops in-body image stabilization
  • High-precision 0.5 inch, approx. 3.69 million dots OLED Color Viewfinder
  • Weather-resistant design; ability to operate in temperatures as low as 14°F/-10°C
  • ISO Sensitivity
    o Standard output: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO200~12800 (1/3 step)
    o Extended output: ISO100/125/160/25600/51200
  • LCD Monitor
    o 3.0 inch, aspect ratio 3:2, approx. 1.04 million dots touch screen color LCD monitor(approx. 100% coverage)
  • Continuous Shooting 14.0 fps (with the Electronic Shutter), 8.0 fps (with the Mechanical Shutter)o 11.0 fps (with the Mechanical Shutter and when fitted with VPB-XH1)
  • Movie Recording (using a card with the UHS Speed Class 3 or higher)
    o [4K (4096×2160)] 24P / 23.98P up to approx. 15min.
    o [4K (3840×2160)] 29.97P / 25P / 24P / 23.98P up to approx. 15min.
    o [Full HD (1920×1080)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 20min.
    o [HD (1280×720)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 30min.• Bluetooth® Ver. 4.0 low energy technology
  • New ETERNA film simulation mode
    o Simulates cinematic film, understated colors and rich shadow tones
  • New Flicker Reduction Mode
    o Provides stable exposure during burst shots even under fluorescent and mercury lighting
  • Advanced filters and Film Simulations, including ACROS
  • Accessories included:
    o Li-ion battery NP-W126S
    o Battery charger BC-W126
    o Shoe-mount flash unit EF-X8
    o Shoulder strap, Body cap, Strap clip, Protective cover, Clip attaching tool, Hot shoe cover, Vertical Power Booster Grip connector cover, Sync terminal cover, Cable protector, Owner's manual
$1899.00
Fuji site

Reviews:

DPReview first impression's here
Peter Delaney photography here
Jonas Rask photography here
The phoblographer here 
Imaging Resource here

Ross
Images In Light 

Tuesday, January 2, 2018

The City of Arts and Sciences


LR-2017-4967_RossMurphy01

Fuji XT-2, XF 16-55 f/2.8 R LM WR

LR-2017-4747_RossMurphy01

Fuji XT-2, XF 10-24mm f/4 R OIS

Wednesday, November 29, 2017

More on Fuji Black and White


Cadiz, Spain

Cádiz, Spain
Fuji XT-2, XF 16-55 f/2.8 R LM WR, f/9, 1/640, 30mm

Vivid blue sky and bright white buildings create a perfect setting for black and white images. Processed in lightroom from RAW, I love the simplicity of images like this, Fuji files allow for pushing the blue almost to black in Post, giving me a super high contrast. 

I tried Acros presets but my standard process in Lightroom worked better here, very little ghosting at edges and deep contrast helped keep a nice clean image.

More images from Fuji here

Ross

Wednesday, November 8, 2017

Cordoba Spain, travel photography with Fuji


LR-2017-2271-2_RossMurphy_201701
Fuji X-T2, XF 16-55mm f/2.8 R LM WR
f/4, 1/35 sec, iso 3200, 47mm

Córdoba, located in south central Spain, about 3 hours south of Madrid, once a Roman city, then a Moorish ruled caliphate and now a beautiful Spanish city. Full of surprises, wonderful architecture, delightful people and with today's ability to use Airbnb, an affordable destination spot on your way to Andalusia. We stayed in a penthouse suite in the old town not far from The Mezquita for $66 per night.

the Historic Center of Córdoba that was declared a World Heritage site by UNESCO in 1994.

Roman Bridge
Fuji X-T2, XF 10-24mm f/4 R OIS
f/8, 3 sec, iso 200, 15mm

Built in the 1st century BC, the Roman bridge crosses Guadalquivir river, leading in to the Barrio de la Catedral. A short walk from the Cathedral, the Roman Bridge of Cordoba and its Calahorra tower, which was added by the 16th century.

LR-2017-2298_RossMurphy_201701
Fuji X-T2, XF 16-55mm f/2.8 R LM WR
f/5.6, 1/40 sec, iso 3200, 34mm

From Wikipedia:
"The Mosque–Cathedral of Córdoba(Spanish: Mezquita-Catedral de Córdoba), also known as the Great Mosque of Córdoba (Spanish: Mezquita de Córdoba) and the Mezquita, whose ecclesiastical name is the Cathedral of Our Lady of the Assumption (Spanish: Catedral de Nuestra Señora de la Asunción), is the Catholic cathedral of the Diocese of Córdoba dedicated to the Assumption of the Virgin Mary and located in the Spanish region of Andalusia. The structure is regarded as one of the most accomplished monuments of Moorish architecture."

In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. Córdoba returned to Christian rule in 1236 during the Reconquista, and the building was converted to a Roman Catholic church, culminating in the insertion of a Renaissance cathedral nave in the 16th century.

Tuesday, August 29, 2017

New Canon Lenses

This is why Canon does so well, they produce top quality lenses that we drool over. the system is what its all about, its not just a camera, or a spec. I shoot Nikon, Canon and Fuji and I prefer Canon and Fuji glass, that's why I'm vested in those systems. Nikon is not far behind and Sony has a ways to go. Its about the system.


Canon EF 85mm f/1.4L IS USM Specifications  $1599
  • Lens construction: 10 groups 14 elements (1 aspherical lens)
  • Coating: ASC, fluorine coating
  • Number of diaphragm blades: 9 (circular diaphragm)
  • Shortest shooting distance: 85 cm
  • Maximum shooting magnification: 0.12 times
  • Filter diameter: 77 mm
  • Maximum diameter × length: φ88.6 × 105.4 mm
  • Weight: Approximately 950 g
  • Image stabilization effect: about 4 steps
  • Ring type USM

Canon TS-E 135mm f/4L Macro Specifications $2199
  • Lens construction: 7 groups 11 elements (2 UD lenses)
  • Coating: SWC, fluorine coating
  • Number of diaphragm blades: 9 (circular diaphragm)
  • Shortest shooting distance: 48.6 cm
  • Maximum magnification: 0.5 times
  • Filter diameter: 82 mm
  • Maximum diameter × length: φ88.5 × 139.1 mm
  • Weight: Approximately 1,110 g

Canon TS-E 90mm f/2.8L Macro Specifications $2199
  • Lens construction: 9 groups 9 elements (UD lens 1 piece)
  • Coating: ASC, fluorine coating
  • Number of diaphragm blades: 9 (circular diaphragm)
  • Minimum focusing distance: 39 cm
  • Maximum magnification: 0.5 times
  • Filter diameter: 77 mm
  • Maximum diameter × length: φ86.9 × 116.5 mm
  • Weight: Approximately 915 g

Canon TS-E 50mm f/2.8L Macro Specifications $2199
  • Lens construction: 9 groups 12 elements (2 UD lenses)
  • Coating: SWC, ASC, fluorine coating
  • Number of diaphragm blades: 9 (circular diaphragm)
  • Shortest shooting distance: 27.3 cm
  • Maximum magnification: 0.5 times
  • Filter diameter: 77 mm
  • Maximum diameter × length: φ86.9 × 114.9 mm
  • Weight: Approximately 945 g
Ross

Images In Light

Thursday, August 24, 2017

Nikon D850

Nikon announce the D850

Key specs
  • 46mp BSI sensor, no LP filter
  • 7FPS, 9 FPS with grip
  • Full-frame 4K 24/25/30p
  • 8K time laps
  • ISO 64-25,600, expandable to 32-108,400
  • MSRP $3300
  • High-Speed Capture: The D850 is capable of shooting up to 7 fps at full resolution, with full AF/AE or 9 fps at full resolution with the addition of an optional battery grip (MB-D18) and EN-EL18a/b battery (Buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless).
  • Wide ISO Range: The D850 offers a wide ISO range from 64-25,600 (Expandable down to ISO 32, up to 102,400).
  • Flagship Focus System: The D850 uses the Nikon D5’s 153-point, Multi-Cam 20K AF system, which features 99 cross type sensors, 15 of which are sensitive to f/8.
  • EXPEED 5: Behind every great sensor is a great image-processing engine. EXPEED 5 is Nikon’s most powerful engine yet, allowing for fast data readout and swift image processing, improved low light performance, high speed shooting, full-frame 4K UHD video capture and greater power efficiency for longer battery life.
I have been considering medium format of late, especially the Fuji GFX, but I think this is now a better option, I am looking forward to getting my hands on this and trying it out.

The addition of a focus toggle is especially nice, I don't understand why it took Nikon so long to implement this, my Canon cameras have had it for years. I am also hoping for a better live view implementation.

This kind of sounds like the ultimate camera, lets see how it performs in the real world.

DPreview here

DPreview first impressions here

Imaging Resource here

Fstoppers here

The Phoblographer here

PetaPixel here 

Pre order here at B and H

Ross

Images In Light

Friday, August 11, 2017

High Key Landscape, Mono Lake

Its not often I come across a landscape scene that works as a high key shot, this one seemed to fit the bill for me. Mono lake Tufa, shortly after sunrise.

Tufa
 5D Mk IV, EF 24-70 f/2.8 L II, Lee Big stopper 10 stop ND filter,
 f/16, 50mm, 1.6 sec, ISO 100, +2 EV.

Mono Lake
 5D Mk IV, EF 16-35 f/4 L IS, Lee Little stopper 6 stop ND filter,
 f/11, 16mm, 10 sec, ISO 100.

Same location, that evening

Part of the fun of being a photographer is experimenting and enjoying my time on locations like this.
We had a great three day shoot in the Eastern Sierra and I have a lot of images to go through. Hope to post some more soon.

Ross 



Thursday, August 3, 2017

Photography from Angels 30


Images In Light: Latest Work &emdash; The Sisikyous
Over the Siskiyous
 5D Mk III, EF 24-70 f/2.8 L II, f/7.1, 70mm, 1/400 sec.

 The Views from an airplane can be quite spectacular, if you have a fairly clear window, photography from 30,000 ft can be a lot of fun and good images can be acquired, if the right technique is used.
 Use fast shutter speeds and get your lens right up against the glass. Think about that composition and horizon before pulling the trigger.

LR-0041_RossMurphy_201701
737 winglet at sunset
Fuji XT-2, f/1.4, 1/50 sec ISO 250, 56mm


BA 787-9 over NE Canada
787-9 over NE Canada
5D Mk III, EF 16-35 f/4 L IS, f/11, 30mm, 1/60 sec.

LR-0019_RossMurphy_201701
737 winglet and Mt Rainier
Fuji XT-2, f/11, 1/240 sec ISO 250, 56mm

Ross

Friday, July 14, 2017

Archived Images


Images In Light: Latest Work &emdash; The Plantation Black and White

Finding an old image in the archives that was overlooked is always nice, I frequently review my archive to see whats available and I often find an image I like. This is a good reason to not delete every image you don't like when you download to your external drive.

I often read of people saying to delete images you don't like. Disk space is cheap, you can get 3 or 4 terabytes of disk space for $100 these days, so better to just hang on to those images and review them later.

The above image I took in Nov of 2015, but I somehow missed this image in black and white, today I really like it. So hang on to those old images, you never know what gems you might have hidden in the archive.

Ross

Images In Light



Thursday, June 29, 2017

Canon 6D Mk II announced


The Canon 6D Mk II


  • 26.2 Megapixel Full-frame CMOS Sensor
  • Optical Viewfinder with a 45-point All Cross-type AF System1
  • Dual Pixel CMOS AF with Phase-detection & Full HD 60p
  • DIGIC 7 Image Processor, ISO 100-40000
  • Vari-angle Touch Screen, 3.0-inch LCD
  • Built-in Wi-Fi®2, NFC3, Bluetooth®4 and GPS technology
  • High-speed Continuous Shooting at up to 6.5 fps
  • Dust- & Water-resistant
The long awaited 6D replacement arrives with many improvements, including the vari-angle touch screen display and all new 26mp sensor. Looks to be a very nice upgrade from the original, if it had an AF joy stick I would highly recommend it, if you can live with out that and 4K video, run out and get it, if your getting the kit, be sure to get the kit with the EF 24-105 f4 II.

First look at DPReview here

The same but different here 

Canon Video here

The Phoblographer here 

Fstoppers here

Buy it:
Body only at B and H here
Body and 24-104 f/4 II at B and H here

Ross

Images In Light

Wednesday, May 17, 2017

Sony 16-35 f/2.8 GM and 12-24mm F4 G


Sony 16-35mm F2.8 GM

 


Sony FE 12-24mm F4 G


Sony launches two new lenses, missing from their line up of pro level lenses. Giving Sony users parity with Nikon and Canon at the wide end of the spectrum.

This is a huge boost to the E-mount line up,  Sony looks to be pushing hard to round out their lens line up and show they are for real and around to stay, the cost of developing this type of lens is not cheap.

Next up? Super Tele, 400 f2.8. This seems logical given it is a huge hole for pro level sports photographers. They also need a 200mm f/2 a 300mm f2.8 and a 500mm f4. 

Sony has become a major player now and I can't help but wonder what Nikon and Canon are up to.
Can Canon hold their lead? can Nikon catch up? It will be interesting to watch this play out.

Buy the 16-35 f2.8 GM from B & H here

Buy the 12-24 f4 G from B & H here


Full 16-35 specs at DPReview here
Full 12-24 specs at DPReview here

Sony site here
 
Ross
Images In Light



 

Wednesday, April 19, 2017

Sony α9 camera announced 24mp and 20 FPS



Key Specs:
  • 24.2 mp Exmor stacked sensor
  • 20 FPS continuous shooting
  • 4K 30p Video
  • ISO 100 - 51200
  • New battery model NP-FZ100
  • Quad-VGA OLED Tru-Finder with approximately 3,686k dots
  • 693 focal plane phase detection AF points
  • AF joy stick (so it wont take all day to find those points) 
  • 5-axis image stabilization
  • $4500
Wow, is all I can say to those specs and the first look at this amazing piece of camera tech. This will hurt Nikon even more, now that Sony has already overtaken them in sales. Look for the Canikon to play catch up to Sony.

It looks like Sony has got a real winner here, this is a dream spec of a camera, The lenses are coming, they still have a ways to go in the Pro telephoto end, but they are gaining ground quick. This is meant for pro's that shoot sporting events. Birders will probably drool, but its not for my type of shooting.

See the rest of the specs here

See DPReviews first look here 

A sports camera with no lenses here 

Camera Labs here

Luminous Landscape here 

Ross

Images In Light