Composition

5D Mk III, EF 16-35 f/2.8L II,  f/14 for 1 sec at 16mm.

Lee 2 stop GND filter.

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After getting back from my Utah/Arizona trip I Googled Horse Shoe Bend and to my surprise almost all the images that came up where shot in landscape mode, not the Portrait mode I saw while I visited precariously 1000 feet above the Colorado River, I'm thinking that most people want to get the cliffs on both the left and right sides of the canyon or want less sky (I was blessed with nice clouds) so I chose the above composition. 

I wanted some glow in the foreground rocks and tried to capture the fire in the sky, a Lee 6 inch graduated soft 2 stop neutral density filter held back almost enough of the light to not blow most of the sunset.

I came away from that one happy, it was kind of a last minuet decision to run down and shoot at Horse Shoe Bend as we where staying the night in Page. There must have been a couple dozen photographers perched on the edge of that drop that night, most had left by the time this scene had unfolded and the real color shown itself.

 Photog's at Horseshoe Bend

Ross

Images In Light

Filters in the digital age

Image: Canon 5D and 17-10 F4 L, Lee 3 Stop GND filter, f11 at 17 mm, no crop.
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Filters are still required in the digital age of photography, not as much as they where in the film days, but in order to get proper exposure on a lanscape that has a very wide dynamic range or to remove reflections from water, we still resort to using filters.

The main filter system in my bag is the Lee Graduated Nuetral Density filter or GND for short. The main task of these filters is to reduce the amount of light contacting the camera sensor while still being able to use the lens aperture you need. Graduated filters, as the name implies, start the transition from the center of the filter and graduate to the edge in varying degrees, measured in stops.

The top photo is an example of where a GND filter is needed, if a filter was not used and you where to meter on the sky the land would be under exposed or if you metered on the land the sky would have been over exposed, in this image a 3 stop filter was used to even out the overall exposure. The filters I use are made by Lee and Singh-Ray I use the foundation kit with 4 x 6 filters, for wide angle I use there special wide angle hood with one filter slot. I carry a 1, 2 and 3 stop GND a 3 stop reverse GND and an 8 stop variable ND. The reverse filter is for shots like a sunset or sunrise where the brightest part of the image is closer to the middle of the image. The variable ND is a great filter for shooting seascapes, this is a filter that I will talk about in another blog.

 The Lee Big Stopper a 10 stop ND filter for maximizing the effect.

Circular Polarizer: The CPL is another filter that is still required for reducing reflections and a good quality filter should be used to prevent color cast's. B + W is my choice, I use the slim 77mm and reducing rings when needed. These filters also increase the color saturation of trees and blue skys and add contrast to clouds, there should be one in every photographers bag. A word of caution on CPL and wide angle landscapes, if you have a lot of blue sky the CPL will only cover part of the sky and you will end up with un-even polarization that will ruin your image.

Ross Murphy Images In Light