Skunked Again !

Image: 2 shot panorama, 5D Mk II, 24-105 f4 IS L at 58mm, f11, 30 sec.

Clouds, I want clouds when I go on a shoot, this year has been nothing but total blue skies, I'm getting a little ticked off, but hey, some times you get the right conditions, some times you don't, maybe this means next time it will be stellar, we'll see, hope your having better luck

Ross Murphy Images In Light

Foreground

Image: 5D Mk II, 16-35 f 2.8 L II, 30mm at f11 for 2 sec, CPL and 3 stop GND soft. Just prior to sunrise.

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Foreground in an image like this can make or break it, I was unlucky with cloud cover but managed to get an interesting image by using the foreground to add interest, I exposed on the whole scene and recomposed and focused on the plants on the surface of the water, I used live view with exposure simulation, which I am starting to use more of, it works very well, Canon has done an excellent job with live view. I think I have come to like the 16-35 f2.8 L II, it is quite sharp and I can stop it down to f16 or more and have less diffraction than the 17-40 f4 L.

Ross Murphy Images In Light

Patagonia

Iconic Patagonia

Cerro Torre,

Mt Fitzroy,
Torres Del Paine,

Just some of the iconic names that come to mind from the southern tip of South America, Chile and Argentina's wonder land of ice and stone. Maybe the worlds greatest place to shoot landscapes of mountains, glaciers and exotic wildlife. I am looking for some intrepid souls, interested in traveling to this incredible place, when its winter up here in Seattle its summer in Patagonia, if I can find the people to go I will set up the photographic trip of a life time, whether you are a beginner or an expert, the means and the will to do a trip like this is what I'm looking for. Just so you know I am well traveled and have been to Central and South America, Africa and Europe, so I know what it takes to set this up and I know the basic locations to shoot, from Laguna Torre and Pehoe, to Los Glaciers NP, this trip will include hiking so you must be in good physical condition (not to extensive), this may be my first trip to Patagonia, but it wont be my last.

If interested, let me know via e-mail or this post.

Ross Murphy Images In Light

MFT or M4/3 = Micro Four Thirds Cameras

Top image: sensor sizes of various digital cameras
Bottom image: 2 recent examples of MFT cameras
The Micro four thirds standard, a derivative of the Four Thirds system, was set up by Panasonic (Lumix) and Olympus, its similar in size to the APS-C system used by most of the other camera makers (see above chart), lenses and most accessories will be interchangeable between the companies :) what is most unique about this system is its small size for a DSLR but they have no mirror, the LCD is used to view or an electronic view finder, beyond the size advantage of the system is image quality, compared to digital point and shoots, as you can see above, the sensor of the MFT is much larger than the typical point and shoot of 1/2.5 - 1/1.7 , this allows for much better image quality and at the same time allowing a much smaller form factor. (for details see white paper) This is a camera for those that want to travel light and still come back with good image quality, if used right these will give fantastic photos, if used wrong, like any camera, you will be disappointed. I think this system holds real promise and I would like to give it a try and see if its something I would hold on to and use. Currently there are 4 cameras to choose from in this size sensor. the EP-1, G1, GH1 and the new GF1, the later being what I would like to try, another interesting aspect is you can get adapters for almost any lens, so you could mount a Canon 300mm f4 IS L and have the field of view of a 600mm f4. You can also put some serious Leica glass on these cameras with the adapters or without.
See some upcoming lenses here at a Japanese site DC Watch.
Finally something new for us gear heads :)

Micro Four Thirds standard White Paper

Ross Murphy

Images In Light

More About Panoramas

Image: crop from image just below this. click image to view larger.


Image 5D Mk II 70-200 f4 IS L, 5 Shot panorama. click image to view larger.

Image 5D Mk II 70-200 f4 IS L, 2 Shot panorama.

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Here is a good reason not to shoot panoramas to wide, if you plan on framing the top, 5 shot panorama, it would cost a fortune at 17" x 62" which is where you would need to be to have a decent height where the lower 2 shot panorama could be printed at a much more manageable size of 17" x 31", it is also much better for viewing on line, I try to max my horizontal panoramas to 3 shots with overlaps. Now if I do portrait mode panoramas I will do a minimum of 3 to 5 shots and preferably 7 seems to be about right in portrait mode and I would have done it here but the water was to rough and there was no reflection to speak of. Shot on a Gitzo 3530s tripod with a BH-1 ball head, stitched in CS4. The big one is fun to view on 2, 20" monitors though I must admit, the detail is pretty amazing. Glass size also comes in to play, limiting my images to about 42" in length, without inducing massive extra cost.

Ross Murphy Images In Light