Tuesday, April 22, 2014

Lytro Illum

Lytro announce a new version of their Light field camera, with a 30-250mm f/2 lens, that's right f/2, the technology is very interesting, but their last camera and sensor proved only a gimmick from a photographic standpoint, this may change that, they look like they may have something on their hands this time around.

 02 lfe2

From the Lytro site:

Product Features

Sensor

Capture a deeper picture.

LYTRO ILLUM’s 40 Megaray customized sensor, with Lytro’s patented microlens array technology, unlocks the ability to capture the color, intensity and direction of the light rays flowing into the camera. This allows you to create imagery on a truly experiential canvas. By capturing and harnessing the power of light field, photographers can portray not just a cross-section of reality, but an authentic, interactive window into their world.

  • Custom-designed 40-megaray light field sensor
  • 8x optical zoom lens (30mm-250mm equivalent)
  • Constant f/2.0 aperture across the entire zoom range
  • 1/4000 of a second high-speed shutter
  • Extreme close-focus macro capability
  • Combination of tactile-controls and smartphone-class, articulating touchscreen
  • Dimensions: 86mm x 145mm x 166mm; 940 grams
  • Hot shoe supports all leading flashes




It needs to be ergonomic and fill a niche, or carve out a place of its own with something beyond mini video, which is what it appeared to be before.

I did not see a place that it would be useful before, lets see if they are bringing more of a game changer this time around.




Pre-order at Lytro for $1,500 20% off with Pre-order

Lytro's site


Ross

Images In Light





Thursday, April 17, 2014

New Sigma 50mm f/1.4 DG HSM Art lens





Sigma 50mm f/1.4 DG HSM Art lens




I never would have thought I would say this just a year ago, but Sigma has smartened up and now designs good lenses, with their new ART series.

DXO Test's show conclusively that it out performs most other lenses.



 So this only applies to the ART series of lenses, but its a good sign from a company known for producing marginal lenses, if I wanted to put a 50mm lens on my 5D today, it would be the Sigma.

Buy it here at B and H

Reviewed at The Digital Picture

Ross

Images In Light

Friday, March 21, 2014

Shooting an Icon - Yosemite

Image: El Capitan and the Merced, 5D Mk III, EF24-70 f/2.8, 16mm @ f/16.
Larger Image


Image: The Merced River, 5D Mk III, EF24-70 f/2.8, 16mm @ f/13.
Larger Image
I have always wanted to go back to Yosemite, but I was kind of disappointed on this trip, perhaps I have seen to much of it in pictures ? at any rate the next time I return, it will be to the upper part that is less traveled, Tuolumne Meadows above Yosemite Valley, it has the beauty, less crowds and the wilderness feel that the lower valley lacks, a winter stop in the lower valley might be nice, if there was plenty of snow.

Upper Cathedral lake and the entire upper basin would make for a great trip on the way over to the Eastern Sierra and a trip up in to the Whitney Portal and Convict lake.

Mariposa Grove

To Camp 4



RossMurphy20140196


Yosemite Falls


Ross

Friday, February 28, 2014

Getting Exposure


Marketing, marketing, marketing, that's what is needed to get your photos published, I have put my work on a lot of web sites, from National Geographic to Facebook and dozens in between, including submitting the above shot to Yahoo weather. If you want to get your work noticed you have to work at it.

Your shot at National Geographic got me noticed by them and subsequently published by them, here.

I can't express it enough if you want to get noticed, work hard at getting your work out there. It will take a while, but if you have what it takes to stand out in a crowd and you market yourself, they will find you.

Ross 


Sunday, February 16, 2014

Adjusting White Balance

 Image: 5D Mk III, EF 24-70 f/2.8, 44mm at f/9, 30 sec
Global adjustment to 9107K

Original White Balance of 5950K, camera set to auto white balance

Global adjustment to 9107K local adjustment in Lightroom to sky of -28

I'm always pushing the merits of shooting RAW and white balance is a another reason to do so, the temperature of color is basically a layman's description and it can really only be adjusted in RAW. Light varies in temperature from cool to warm , an example would be LED light, compared to tungsten or midday sun to sunset, some times a camera can get fooled and that happens a lot with mixed light, similar to the above images that have the remaining light from the sun and the light from the bulbs on the pier.

A lot of cameras don't do well with indoor lighting and often have to be adjusted for white balance, our homes and offices are a mix of different light types and cameras get fooled more often than not in these situations. Shooting RAW and adjusting in post is the best way to get the right color from your system.

Ross

Images In Light

Monday, January 27, 2014

Announced: Fuji X-T1

Fuji is at it again, today they release the X-T1 a more SLR type of camera, rather than a range finder style. This one with weather sealing and the promise of weather sealed lenses (16-55mm f/2.8 and 50-140 f/2.8). So far I am hearing very good things about this camera, I'm looking forward to getting one in my hands and perhaps replace my x100s with it.











Same sensor as the X-E2 and X100S but with an improved EVF and faster operating speeds with a claimed worlds fastest AF speed (for this camera type)

Got to hand it to Fuji, in the last few years they have produced an entire system of cameras and lenses that are top quality.

 DPreview
"DPReview's Andy Westlake expressed his disappointment that there's no option to directly move the AF point using the four-way controller, as is possible with cameras like the Nikon D7100 and Olympus OM-D E-M1. Instead you're always required to press the 'down' arrow first, to enter AF point selection mode - a small point, but something that's fairly unusual at this level."

Key Specs:


  • 16.3MP APS-C X-Trans CMOS II Sensor
  • EXR Image Processor II
  • up to 8 frames per second
  • 2.36 million dot OLED viewfinder
  • Viewfinder magnification of 0.77x
  • 1.04 million dot high-precision 3” tilting LCD monitor
  • ISO 200 – 6400
  • Extended ISO 100, 12800, 25600
  • Built in Intervalometer
  • Die-cast magnesium body
  • Dust and water-resistant body with freeze resistance to -14°F


  • Fuji site here
    Reviews: ePhotozine, Photographyblog, Amateur Photog, PetaPixel,

    Buy it here at B and H

    Ross

    Images In Light

    Saturday, January 11, 2014

    Lone Pine and The Whitney Portal

    5D Mk III, EF 24-70 f/2.8L, 65mm f/14 at 1/30th sec, tripod.
    Larger Image

    Images In Light: Latest Work &emdash; Lone Pine and Mt Whitney
    5D Mk III, EF 24-70 f/2.8L, 70mm f/11 at 1/60th sec, tripod. 
    Larger Image

    5D Mk III, EF 70-200 f/4L IS, 200mm f/7.1 at 1/500th sec, handheld. 

    Far east of La La land on CA 395 is the small town of Lone Pine a gateway to the Eastern Sierra Nevada mountain range and the tallest peak in the lower 48, 14,505 ft Mt Whitney. The Whitney portal road, which heads west out of town, leads you to the Alabama Hills, a spectacular landscape of boulders and sage brush. Many films have been made here and you have no doubt seen one, you just don't know it. You kind of expect to see Captain Kirk or The Duke around every corner.



    Not to be out done by Mt Whitney, 12,949 ft Lone Pine Peak rises prominantly to the south in a spectacular array of peaks and ridges, Mobius Arch a short hike from the end of Movie road makes a nice frame for either Lone Pine or Whitney.


    that would be me sitting in Mobius Arch

    The interesting thing about this mountain range, is how they thrust straight up out of the desert, shear cliffs rising hundreds of feet out of the Sage brush in front of you. It's reminicent of The Grand Teton and the Canadian Rockies,  Hiking in this area could be a lot of fun and make for some very interesting photography.

    more pics here at my Flickr site


    Ross

    Tuesday, January 7, 2014

    Nightfall Picture used on BBC television show


     This photo was chosen by the BBC for "Natures Weirdest, Series 2" television show.

    Ross

    Monday, December 16, 2013

    Planescape


    Image: 5D Mk III, 70-200 f/4 L IS, f/7.1 at 1/640 sec.

    Rather than the usual airplane shot, as below, I noticed Mt Baker and that I could align the mountain in the shot of the incoming 747-8 at Pain Field Everett, I live just a few minutes away from the Boeing plant so I get a lot of opportunities to shoot test flights, the above image turned out rather nice and proved a lot more interesting to me than the normal airplane shot. 



    Ross

    Wednesday, November 20, 2013

    Best Campsite Photo Contest Winner

    5D Mk III, EF 24-70, f/2.8 L II f/10 at 70mm

    Backpacker Magazine Nov 2013




    From our trip to the Goat Rocks Wilderness in July

    Ross

    Monday, November 4, 2013

    Nikon Df - Retro Full frame


    The new Nikon Df 

    very retro in its design


     with a real optical view finder

    oh, I want one of these

    Another retro design? yes and this could very well be my first Nikon camera, this reminds me of my old Pentax ME from the film days. I hope that Nikon has tamed their menu system, a no distraction camera would be my dream, just the basics of a film camera with a digital back and superb image quality is what I think a lot of photographers want.

    This is the kind of camera you use with fast primes, no giant zooms, save those for your D800E and put a 50 f/1.8 or a 135 f/2 on this and you will  enjoy the photographic experience.

    Same sensor as D4, same focus as D610, $2750.00 body only. $2995.00 w/50mm f/1.8.

    order the body here

    order the kit here

    Nikon here

    Specs here

    DPreview first impressions here

    more soon.......

    Ross

    Light & Landscape Magazine feature

    I have been featured with a Q & A in this issue of Light & Landscape Magazine.


    You can get the free magazine here for your iPad. E-magazines could very well kill off paper magazines one day, I have pretty much stopped buying newsstand magazines.

    Ross

    Images In Light

    Wednesday, October 30, 2013

    Looking Up

    Image: 5D Mk III, EF 16-35 f/2.8 L II, f/11, 1/80th sec at 17mm, tripod.

    Don't forget to look up, a perspective that is often missed, some times getting the camera down low and taking a shot looking up will give you new and interesting images.

    I saw some folks taking pictures of these sculptures that I have never seen before and noticed a similar composition to one I had done with the Space Needle and the Pergola.


    Ross

    Images In Light

    Saturday, October 26, 2013

    Brilliant Time Laps


    The Lion City from Keith Loutit on Vimeo.

    Brilliant work by  Keith Loutit

    Ross

    Images In Light 

    Monday, October 21, 2013

    Fuji X100s Review

    Image: X100s, f/11, ISO 800, 1/70 sec


    100% crop of upper image.

    I'm going to do something here I don't normally do, review a camera. I'm doing this for a few reasons, first is, I would like to get a review out there based on a Landscape photographers view of the X100s. Also from some one who has not yet drunk the Fuji cool aid. Secondly from the perspective of using it as a second camera in a more casual manner. Lastly, I like what I see Fuji doing with their design and I have been intrigued by it for some time.

    So if your interested in how the X100s behaves, check back from time to time as I update this review.

    I will be shooting mostly RAW and converting with Lightroom 5, finished images will be done in CS6, that is my normal workflow. Most work will be done off tripod so I can see how it resolves at higher ISO's.

     Image: Out of Camera jpg, Street Art, 1/2500, f/5.6 at ISO 200


    The look:
    Fuji has decided to go a different route than other manufacturer's, with the look and feel of their cameras and how the final images appear on screen and print. At the heart of this look is the X-trans sensor, see the Fuji site here I wont be detailing specs here, that's been done all across the web for people to find.

     As most people are aware of, this camera produces some of the finest OOC (out of camera) jpg's that can be found today. Fuji has managed to find a way to reproduce very natural looking images straight out of camera. This is an exception in today's market and Fuji should be commended for that. a lot of it is based on Fuji's history in film and their detailed analysis of color. I used to shoot with Fuji Velvia 50 back in the day, for landscape it was hard to beat. Fuji has done a great job of reproducing true to life color in their jpg output.

     Image: x100s, ISO 640 at f/11, 1/125 sec, hand held.

    Fuji has found a way to to appeal to the photographer of yesteryear with their vintage range finder looks, its a camera that will appeal to film shooters and photographers that like s lot of manual control in their camera. This camera will greatly benefit people that don't like to sit behind a computer useing imaging software, it just takes fantastic images. Having said that, shooting RAW will almost always allow you to pull more detail from an image.


    The Lens:


     Fujinon lenses have been around for years, pro's have been using them on their Hassy's for decades, Fuji makes great glass. The 23 mm aspherical lens on the X100s is no exception, not super sharp at f/2 but no slouch either, sharp stopped down, as good as any when good technique is used. Prone to flare but that can be easily remedied with a lens hood.

     X100s Flare example, 1/125 at f/11, ISO 200
    not as bad as the camera used by J.J. Abrams in Star Trek

    Sharp and relatively distortion free, the 23 mm f/2 lens is a winner as most other Fujinon glass is. Focusing is smooth and the lens is well built, manual focusing is easy even if you don't have the best of eyesight, using peaking and split image aids is a blessing. Micro contrast and resolution are very nice.

    I thought it would be very limiting using just a 23mm lens (35mm equivalent) but I was wrong, it just makes you get a little exercise is all, your creativity will thank you for it.

    Handling:
     This is where most people are let down by the  Fuji cameras, with reason. Fuji has made great strides forward in improving their cameras handling, especially the auto focus. If you are used to shooting a DSLR however you will be disappointed, but that is currently the nature of mirrorless cameras. There are also some finicky menu options and a few quirks that makes one shake their head. Fuji, however fix's most problems with firmware updates, I returned the original X100 within a couple days due to handling issues, the X100S though, looks like a keeper. One needs to understand when using this camera, it takes a little more time, its more about the experience with the X100S.

     A good byproduct of its size is, it appears to be less intimidating when you point this at people, instead of a large DSLR, so people feel more comfortable with you taking their photo. This camera can be pulled out quickly and unobtrusively and the shot taken before people even realize you have taken it. A fast flash sync speed and quiet leaf shutter also help to be less obtrusive and the flash is pretty amazing for a built in.

    Manual focusing is relatively easy with new features like focus peaking and digital split imaging, many other improvements over the original X100 make the new version a pleasure to use.

    Image Quality:
    This is what its all about and this is where Fuji makes things happen, with out a doubt this camera produces great images, even jpg out of camera shots are very nice. As good as a full frame DSLR?
    no, I'm afraid not, but you can't expect that from a APS-C camera. Color, texture, detail, micro contrast and sharpness are all excellent. People shooter, that's how I like to think of the X100S. I enjoy using it to take pictures at parties and occasions. I love what it does for people, especially skin tones. It excels at images of friends and family.

    Black and White conversion:
    The conversion to black and white is handled well, a testament to Fuji's dynamic range, you can turn blue sky's to near black before seeing any artifacts. A very nice feature to have.

    LR-2860_Ross_Murphy_Oil_05-2016-8201
      
    LR-2881_x100s_Ross_Murphy_05-2016-6201


    The Final Word
    I highly recommend this camera, for certain people, those that know photography well and don't mind working around the slower handling. To others it may be a little frustrating to use and at this price point, its not a camera you want to leave at home in favor of your point and shoot. It feels good to use, I feel like I did in the film days, I take more time. I am looking forward to more from Fuji.

    I also highly recommend some accessories with the X100s, including the following, the Thumbs up EP-2S, a soft shutter release like the Act 3 and my favorite wrist strap by Barton, screen protection Expert Shield.

    Buy the X100T from B and H here. Now upgraded and better.

    Ross